I see the flash of steel and I close, automatically, x-blocking low, keeping the arteries and tendon side of my forearms on the safe side, using the contact to pivot to the safe place off his flank. The near hand stays in contact, I am actually controlling his weapon arm with a touch behind the elbow. Left hand slips up fast to take his chin and through his chin his spine while my knee flexes to pop his knee….
“No, no, no, “ The instructor says. He demonstrates once again- a telegraphed swinging thrust coming too big and from too far away, snatched out of the air with both hands. Done at full speed and power there is a good chance that both of his thumbs would be dislocated without stopping the thrust.
A bad start to a bad finish. These are level four techniques for a level six situation. Iffy wristlocks when lethal force would be not only justified but prudent. Are we stupid, slow or monolinear? No, of course not. So why pretend the bad guy is? Because he must be for the techniques to work.
I’m in a bad mood anyway. I want some pain. I want to feel some impact. I would like a couple of guys in armor so that I could unload just a little. I get like this sometimes- craving something real, even negative as long as it is both intense and real. I want to be slammed into walls and slam back, stand toe to toe with someone bigger and stronger just to prove that the normal subtle stuff I put him down with last time was choice- I’m willing to play big boy games with big boys, too.
Yeah, I get like this sometimes. It will pass and I will be my usual mature and low-key self soon. Maybe in the morning.
Protest Music - Back in the day, when I first started learning how to play guitar, fifty-some years ago, there was a subset of folk music called “protest music.” Redunda...
3 days ago