Very last day in Israel, Tal brought me to meet
Alex and Noah of ACT. I spent the
next few hours playing with Alex.
It was a blast. And I
learned a lot. The guys at ACT
have done something impressive. I don’t
know exactly how (it feels like probably fiberglass rods, flexed and bonded
with padding) but they have made training weapons very close to real
hand-and-a-half swords, katana, bolo machetes, and knives. They match the real dimensions, even
flex like the real thing. Maybe a
bit light, but Alex assures me they are the exact weight as well…
And safe to go full contact with. You’ll get some bruises and you
definitely need eye protection, but you can go at it as hard as you are
willing. And Alex is good. He’s been doing this long enough that
his ranging is superb, he doesn’t telegraph, and he finds most people,
including me, predictable.
I found some of my own blind spots and training
artifacts. That’s why they’re
called blindspots—you can’t see them.
Not until they get pointed out.
Years of playing with a boken (I don’t like
shinai—too long, too straight, too light-- shinai just feel wrong) has left a
habit. Not only do I pull a little
bit, but I slow down about the last third of my strike so I can stop without
serious injury. People who I
usually play with don’t notice it ( I didn’t notice it, it wasn’t
conscious). Alex did, and he
exploited it ruthlessly. And it
gave him a fraction of a second’s edge.
When the situation was a multiple attack (rarely a combination but more
often an attack missed but it loads the muscles for a natural second attack
without wasting time) the small pieces of time compounded, and all to the
advantage of the guy who played with the most realistically.
Said it before, but making things safe screws up
more than your commitment. It also
screws up your distancing and timing.
It’s not real, of course. No pain or screaming or blood. And that makes anything you can do in play suspect. Real sharp thing mean real blood and
real fear. Any safe or toy weapon
does not show what you can do, but only what you might be able to do in a world
where you are fearless. Going in
on a training knife is to going in on a knife as walking a length of 2x4 on the
ground is to walking the same length suspended between 15 storey buildings.
Not the same.
Even if the physical skills are the same, the events are profoundly
different.
And Alex had some questions. What ends a fight with a blade? He can’t imagine being stabbed and
simply not knowing it… but it’s common.
So do you stop the match at a good chest thrust? Alex reasoned that if the hands are
hit, the pain is so intense… but I’ve seen threats continue, completely
oblivious, with shattered hands.
Lawrence shared a story in “Campfire Tales” of one of his threats who
punched a metal rail so hard that it shattered the bones in the hand so that
they were sticking out, and he just kept punching. No idea he was injured until well after he was cuffed.
For good or ill, the adrenaline in training will
never quite be the same as in real life and there is a possibility that any
guess will be profoundly, catastrophically wrong.
Great time playing with great people.
A good last day in a beautiful country.
---------------------------------------------
Forty hours on a few naps later found me in
Slovenia. Beautiful. Lakes, mountains. Great people (Andraz and Lara and Lucas)
and great conversation. And I ate
horse.
Then sleep.
Now, sitting on the deck overlooking the Adriatic. Early morning. I’ll
post this when I can.
6 comments:
Super cool! Sounds like someone I need to play with :-)
Wow, totally awesome post.
Those weapons are great. Alex and Noah came and trained with me one of the first times they came to the UK. Good people and good skills.
Yes playing with Alex showed up some gaps in my distance and timing, though I got some hits in on him, so I wasn't too unhappy. The weapons are certainly another useful tool in the tool box
I ve talked to Noah online a lot and seen his videos. He has a lot of good points and methods. I am quite jealous.
- Ben C.
"...anything you...do in play [is] suspect".
Another great one I'm going to steal.
I think it's funny how a tweed jacket with suede elbow patches is the symbol of the effete academic. It's a hunting jacket, the 19th/early 20th century equivalent of my Mossy Oak Gore-Tex gear (tweed for camouflage, leather to reinforce a weak point that might rest on the ground or something rough).
How did that turn into something that balding professors of Greek literature wear?
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