Wednesday, September 11, 2013


It’s not just you.  It’s not just the threat.  There is a layered interplay between and through the involved people in any situation.  It is affected by other people who might be around (witnesses and also audience) and even geography.  People who feel trapped respond very differently than people who feel free to leave.  The invisible thoughts and imaginary fears and beliefs have a huge impact on behavior.  The officer who has been counseled about a recent force incident will reliably have a slight hesitation in his or her next force incident.
A hit is a simple thing and you can work to perfect your strike… but hitting someone is not a simple thing and will be affected by the threat’s movement and body composition and skill and positioning and to a great extent by his mindset.
And your strike, which you have practiced to physical perfection, will be affected by your mind.  Sometimes, we call that choking.
Logic of violence the other day, this was coming up a lot. 
“Someone is approaching and you think he might have bad intent.  Do you make eye contact?”
“What if the threat doesn’t respond to your boundaries?"
“Can you back up while setting a boundary?  What if you circle?”
The thing is, everyone knows the answers to all of these.  Humans are communicating animals—it is what we do.  But we don’t, generally, have a conscious skill at it and we do, generally, have an over-active “what-if monkey” imagination. 
Do you make eye contact?  Where and how?  The rules for eye contact are different in some cultures, but you know the rules where you are.  Maybe not consciously, but you know them.  So it becomes ‘how’ you make eye contact.
A smile can show pleasure.  It can show confidence.  It can show a snotty superiority.  But a big smile is the exact same facial expression as a grimace—what a chimp does when it is afraid—except for the eyes.
So, do you make eye contact when you think someone with bad intent is approaching? Depends.  When you make eye contact, do you pair it with the body language of a terrified monkey?  Or the body language of a bored predator?  Do you have any idea how you actually look?
This is huge.  Conflict Communications has the bones, all the underlying necessary structure.  Logic of Violence gat people thinking and looking at the problem. Both programs increase your ability to communicate mindfully.
But it takes practice and a level of self-awareness.
I don’t have the skills, but I’m curious what a good acting coach could contribute in the realms of crisis communication and self-defense.  Not acting as in faking, although there may be an element of that—but an actor’s job is to communicate consciously.  To send a specific message with face, voice and body language.
Tying it back, since I went off on a tangent.
Everything depends on interplay.  It succeeds or fails in the chaos of the Four Factors (You, Threat, Environment and Luck).  Skill in isolation is almost unrelated (maybe 1:3 correlation) to effectiveness in application.  That goes for physical skills and verbal skills and awareness skills (bad guys hide their intentions).
Physically you must generate kinetic energy, get that energy to where it will do the most good, and make damn sure the bad guy is where you need him to be.  Verbally, you must be able to make sure that the message received is the message you intended to send.  Observationally, you must read the threat as well as signs of the threat's deception and signs of his or her skill at deception.
Life is a moving target.


The European Historical Combat Guild said...

Thought generating as always.
As a chunk of my day job is dealing with actors and learning about and conveying "violence", I find that many of them are poor at acting in their own lives. They may be great "on stage" but when they are "off stage" they have those monkey voices as bad if not worse than everyone else. A lot of them are actors, because they don't the "normal" them. Then there are the very good and excellent. They, like others at the high level in other fields, are more at the Unconscious competence level, and similarly with others at that level, they do something but often they don't "know" how they do it, it just happens.

Anonymous said...


Jake said...

I think confidence plays a big part in how you approach life and dealing with others. If you are confident in yourself then you are much more likely to make and hold eye contact. You are also more likely to smile and appear friendly toward other people. Confidence isn't easy to attain, but once you have it you can use it as a very effective tool in life and dealing with others.

The European Historical Combat Guild said...

I know a person who trains MA and HEMA, who makes his living doing illusions and "magic" of all kinds, the up close type.
On asking him what the most important skill was he replied, sincerity, he said once you could convey sincerity, everything else was easy...

Randy said...

Look for a book called "Kinesics and Context" by Ray Birdwhistell. It's fairly dense at times, but he keeps it accessible. I hvaen't had the time to really delve into applying that to a personal defense framework, but there's lots of potential information there. It was a university press work, so if you can find it email me and I can loan you my copy by mail.

MMA Warfare said...

Confidence is crucial in so many areas of life. It's not easy to feel or be confident though. It's really something that requires years of building up. I haven't read Kinetics and Context but I'm curious now. I do have an interest in these topics like Personal Development. Personally, I am a MMA practitioner and it helps me build confidence in this way. Cheers, James